A Book for all Artists
This is the famous little book that Minor White advised his pupils to read. It's an account by German professor Eugen Herrigel of several years of archery lessons with a Japanese archer in the 1950s. My review is written with photography in mind, though the principles discussed in the book can be applied to many arts.

If you have an interest in photography, should you read it?

Here are a few quotes from this little book in which I have taken the liberty of replacing archery lingo with photography lingo:

1. "...fundamentally the [photographer] aims at himself and may even succeed in hitting himself."

2. "Do you know why you cannot wait for the shot and why you get out of breath before it has come? The right shot at the right moment does not come because you do not let go of yourself. You do no wait for fulfilment, but brace yourself for failure."

3. "If [the photographer] is to fit himself self-effacingly into the creative process, the practice of the art must have the way smoothed for it. For if, in his self-immersion, he saw himself faced with a situation into which he could not leap instinctively, he would first have to bring it into consciousness."

If these ideas interest you, then this book is for you. It is a pleasing and thought-provoking little book, written in a conversational manner lacking the overcomplicated lingo and "isms" of most philosophical and spiritual texts.

This is not a book on kyudo.
This is not a book on kyudo. As Earl Hartman says in another review, Herrigel did have little contact with kyudo in Japan (3-4 years). This book could be about many interesting things (zen, misticism, ...), but I don't know of them. But it's not a book on Kyudo. It seems more a book on Herrigel himself.
I don't says this is the worst book someone can read if is interested on kyudo. Last years saw apearing one or two terrible book's with kyudo in title.
Should be read with precaution and specially doesn't substitute pratice and guidance from a teacher or a master. Many persons come to kyudo allready knowing this book but after a few sessions they give up. and many of them continue to claim that they know about kyudo only by reading this book.

Zen in practice
For me this book is first and foremost about Zen. Students of Japanese archery can come to it to take their craft to another level but for me the archery is just a mantle for the teachings to sit on. I've been studying Zen for ten years or so, and have read many great works on the subject. This book was a gentle reminder, ushering me back onto the path. It's wisdom can be applied to almost anything. For a more in depth look at some of the discussions in this book, see Suzuki's Zen and Japanese Culture.

One reviewer, with whom I disagree, says that this book is not a valid source of Zen because the master archer in the book had never "studied" Zen. I think he came in touch with the Zen Mind through his art. The Sixth Patriarch Hui Neng had never "studied" Zen either and came by his enlightenment through living life and carrying fire wood. "Studying" Zen, in terms of following the rituals of an institution, can be formative but is not necessary. Zenmind existed long before the Zen religion.

So whether you're studying Japanese Archery or looking to deepen your awareness of your own art (I study painting, music and Tai Chi), this book can help if you're ready for it.

wonderful insight...
there's an old adage in the acting world..'don't give a performance, let the performance give you'..so what does that have to do with this book? well, I read this wonderful book a few years back when I was studying acting in NYC and I really worked hard at incorporating some Zen technique into my acting process..it wasn't easy..but I stuck with it and I feel as if I reached a different level consciousness and ability with my craft. This book is a wonderful teacher for the ways of Zen and incorporating those lessons into real life events not just archery.

A classic
This book had a real influence on my early spiritual development. I read it when I was a teenager; the impression I was left with was one of discipline, self-mastery, and the difficulty of the art of archery. I loved the author's earnestness and sincerity. For some time, I shot my own bow with what I took to be the spirit of the Zen approach. I wished I could travel to Japan and learn from a master.

From where I sit now, I'd have to acknowledge that this book is more a description or a memoir, rather than an actual guide. That is, for one determined to walk the spiritual path, this book will be more an inspiration than a manual. For some, that may lead to frustration.